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46 | SUNRAYS DECEMBER 2016  Above: When collaborating, Carol and
                            Sue randomly select three paint chips
                            from a box filled with hundreds of
                            colors. The chosen hues then become
                            the palette of their next shared artwork.

                            Below: Carol holds up one of her
                            earlier paintings which served as the
                            inspiration for “Grazing the Fault.”

                            designer approved their plans and, as Carol
                            puts it, “Leslie turned us loose to collabo-
                            rate on the final product.”

                            Of course, the painting did not come to-
                            gether over a few hours or weeks. The
                            artists began work in February with the
                            time-consuming process of ordering can-
                            vases and preparing materials. Once all
                            the supplies were in place and the “draft”
                            completed, six weeks of long days and late
                            nights of endless painting followed, each
                            artist working alone to start and then put-
                            ting the work together and collaborating.
                            A lot of time was spent in Carol’s Walburg
                            studio where the two had first met so many
                            years ago.

                            Being the largest artwork the two had ever
                            done together, the size of the canvases and
                            transporting them to and from the hotel
                            posted quite a challenge. The two laugh
                            recalling the ordeal, which ultimately re-
                            sulted in Sue’s husband renting a truck
                            and trailer to get the job done.

                            Once completed, the artists titled their
                            work, “Grazing the Fault” in reference to
                            the Balcones Fault, the fault line that splits
                            Texas between the American East and
                            West and the focus of the painting. Carol
                            describes joining their works together into
                            one painting as a “meeting of the minds.”
                            According to Sue, there is no one side of
                            the painting which is the star, rather it is
                            the joining them together which results in
                            one beautiful whole.

                            With the success of their composite master-
                            piece, both Sue and Carol anticipate their
                            creative endeavors together will continue.
                            Sue states, “It was a wonderful experience
                            sharing work time with my friend Carol.”
                            Both artists are appreciative of the op-
                            portunity given to them, and thanks to
                            “Grazing the Fault,” the friendship of these
                            two Texans will be enjoyed by visitors from
                            around the world for many years to come.

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